"Oceania" Vinyl LP - poor mastering causing distortion
#1
Posted 19 June 2012 - 09:04 PM
http://www.dallasobs...ic/right-round/
I'm sure he's a nice guy and all, and I'm happy for the success he's having with his business, but I have to seriously wonder if he knows how to master an LP for optimum sound quality. He states in the article that he doesn't even listen to records or own a turntable. I would consider that a serious red flag. Again, nothing against the guy personally, but the thought of him handling Mellon Collie and the rest of these reissues is frightening.
Does anyone else have any thoughts on this? Maybe I'm being picky here, many people don't care about this sort of thing and that's fine, but to me this is really disappointing. Oceania deserves a top quality vinyl release, and unfortunately this isn't it.
#2
Posted 19 June 2012 - 09:19 PM
#3
Posted 19 June 2012 - 09:25 PM
V for Vergudo, on 19 June 2012 - 09:19 PM, said:
Yes, I just checked and those were also made at A&R. I'll give those a listen tomorrow but I think they did a better job on those, there's a lot more space between the labels and grooves. The only problem I recall on those is that Gish is somewhat off-center.
This post has been edited by bjorn: 19 June 2012 - 09:33 PM
#4
Posted 19 June 2012 - 09:40 PM
bjorn, on 19 June 2012 - 09:25 PM, said:
Off center pressed records are really a torture, so sad to know about that too!
So this is not really Billy playing the VINYL record? I even hear some surface noise between songs and I don't hear any inner-groove distortion there. http://soundcloud.co...umpkins-oceania
:scatch:/>
#5
Posted 19 June 2012 - 10:01 PM
V for Vergudo, on 19 June 2012 - 09:40 PM, said:
So this is not really Billy playing the VINYL record? I even hear some surface noise between songs and I don't hear any inner-groove distortion there. http://soundcloud.co...umpkins-oceania
:scatch:/>
Yeah I didn't notice that either. Though maybe the pressings vary in quality?
#6
Posted 19 June 2012 - 10:09 PM
davidp2007, on 19 June 2012 - 10:01 PM, said:
Yes, I don't know if that could be. I think all of them come from the same platters used at the same pressing plant, right? Or maybe there's an american pressing and a european one...(?)
#8
Posted 19 June 2012 - 10:34 PM
V for Vergudo, on 19 June 2012 - 10:09 PM, said:
I just thought with these sorts of things maybe there might be defects in some of the pressings.
#9
Posted 19 June 2012 - 10:36 PM
#10
Posted 19 June 2012 - 11:04 PM
#11
Posted 20 June 2012 - 03:00 AM
#12
Posted 20 June 2012 - 03:28 AM
The UK/European one is:
Number of Discs: 2
Format: Double LP
Label: Virgin/EMI Europe
ASIN: B00835UVY4
The US original is:
Vinyl (June 19, 2012)
Number of Discs: 1
Label: Martha's Music
ASIN: B007P6VLR8
#13
Posted 20 June 2012 - 03:38 AM
People complained about Machina, then Zeitgeist, etc etc...
I have a good record player as well, and I listened to the vinyl version first.. I liked it, it sounded great to me.
Do people get MORE satisfaction complaining about things than listening to the actual music? (No! We just want it to be perfect!) Newsflash, nothings perfect! (But we spent OUR money on it!).. Again, if you don't like it, get rid of it..
It seems like a pretty easy solution to me.
#14
Posted 20 June 2012 - 04:41 AM
#15
Posted 20 June 2012 - 05:03 AM
To each their own! This idiot is going to go listen to my "record so badly manufactured that it's rendered unlistenable"
:rolleyes:/>
Maybe, just maybe a spell was cast on the vinyl, and it distorts when unworthy people listen to it.. You know, that's logical.
#16
Posted 20 June 2012 - 05:12 AM
slunksoma, on 20 June 2012 - 03:28 AM, said:
The UK/European one is:
Number of Discs: 2
Format: Double LP
Label: Virgin/EMI Europe
ASIN: B00835UVY4
The US original is:
Vinyl (June 19, 2012)
Number of Discs: 1
Label: Martha's Music
ASIN: B007P6VLR8
well, that's interesting. thanks.
how do you know for sure there are two versions though?
http://en.wikipedia....fication_Number
Quote
(with the reissues, there was only one version of the LPs, sold worldwide.)
#17
Posted 20 June 2012 - 07:02 AM
CoolAsIceCream, on 20 June 2012 - 05:12 AM, said:
how do you know for sure there are two versions though?
http://en.wikipedia....fication_Number
(with the reissues, there was only one version of the LPs, sold worldwide.)
Just going by what the record store guy said. He was by no means overly specific, just said 'the european one is crap'. Could be nonsense. I was surpised when the idea of different versions arose as well - didn't think vinyl was as sought after to warrant multiple runs in different countries. Surely shipping the US version would cover the demand.
#18
Posted 20 June 2012 - 07:16 AM
HypnoRaygun, on 20 June 2012 - 03:38 AM, said:
People complained about Machina, then Zeitgeist, etc etc...
I have a good record player as well, and I listened to the vinyl version first.. I liked it, it sounded great to me.
Do people get MORE satisfaction complaining about things than listening to the actual music? (No! We just want it to be perfect!) Newsflash, nothings perfect! (But we spent OUR money on it!).. Again, if you don't like it, get rid of it..
It seems like a pretty easy solution to me.
My solution is actually to listen to the CD instead, unless I want to blast Quasar on vinyl, which I'm doing at the moment. I also didn't claim to be sound engineer or mastering expert. I'm simply someone who listens to a lot of records. Just an example, a recent reissue of Rage Against the Machine's debut album was pressed by Music On Vinyl in Holland. The first side of that LP contains five songs and is well over the 23 minute mark (vs. the approximately 17 minute A side of Oceania), yet there is still about a half inch gap between the last track and the label. I can play that record front to back with no noticeable degradation in sound quality. Is it really asking too much to have the same quality and care go into the mastering of Oceania? I don't expect or ask for perfection, just a little more care and effort to make each record sound as good as it reasonably can.
Also, speaking of off centered pressings (yes they are frustrating), the D side of Oceania is a tad off. While that is annoying it's pretty easily fixed by filing out a tiny bit of the spindle hole and shifting the record in the direction it needs to go in order to center the grooves.
Anyway, I'm sure I come off like an elitist audiophile snob in these posts, I apologize. My main concern is really that the music I love so much is done justice.
#19
Posted 20 June 2012 - 07:28 AM
slunksoma, on 20 June 2012 - 03:28 AM, said:
The UK/European one is:
Number of Discs: 2
Format: Double LP
Label: Virgin/EMI Europe
ASIN: B00835UVY4
The US original is:
Vinyl (June 19, 2012)
Number of Discs: 1
Label: Martha's Music
ASIN: B007P6VLR8
That is very surprising??
On my copy there was a sticker that said "imported" and it does contain 2 discs.
I haven't checked properly if it was written "Made in USA" on it but the official sticker says "On tour fall 2012". Not something a british guy would have printed.
I'll take a look at it tonight. Thanks for the feedback.
#20
Posted 20 June 2012 - 07:45 AM
Sophie, on 20 June 2012 - 07:28 AM, said:
On my copy there was a sticker that said "imported" and it does contain 2 discs.
I haven't checked properly if it was written "Made in USA" on it but the official sticker says "On tour fall 2012". Not something a british guy would have printed.
I'll take a look at it tonight. Thanks for the feedback.
The UK CD, which has the same number as your French one, has the "Fall" sticker. The US vinyl is a double as well; the above info is wrong.
#21
Posted 20 June 2012 - 09:07 AM
HypnoRaygun, on 20 June 2012 - 03:38 AM, said:
People complained about Machina, then Zeitgeist, etc etc...
I have a good record player as well, and I listened to the vinyl version first.. I liked it, it sounded great to me.
Do people get MORE satisfaction complaining about things than listening to the actual music? (No! We just want it to be perfect!) Newsflash, nothings perfect! (But we spent OUR money on it!).. Again, if you don't like it, get rid of it..
It seems like a pretty easy solution to me.
It's "unbelievable" that people are miffed at getting a poorly pressed copy of the album? They paid for it, they're entitled to get a quality product. If they want to get rid of it, chances are they've opened it and had a listen, which will impact the value of the album immediately. They most likely can't get a refund after that, and they will make less money than what they paid. It should have been pressed properly in the first place. It's a pretty valid complaint if you ask me. "Nothing's perfect" is NOT any excuse.
#22
Posted 20 June 2012 - 09:24 AM
#23
Posted 20 June 2012 - 09:35 AM
What do you do with it once you get it and don't like it? It IS listenable, it DOES sound fine, regardless of what others state. As of this posting, my mental state has not been compromised, I know what vinyl and music sounds like. You can listen to it..You can play it.
And FYI.. "Nothing's perfect" is not an excuse, it's a fact of life. If something is not 100% to everyone's standards(which will never happen), then it is not "perfect".. Hence, just about everything in life is not perfect. At the same time, it doesn't change what your opinion is. I like it is fine, you think it is crap. What are you going to do?
You could demand a refund? That is something you could actually do. Outside of that...? Sell it? Not buy it? Hire Ralph Nader to be your consumer advocate?
Yes, it is unbelievable..Because I listened to it, and there was music and I could hear it. It is a product which someone made and you bought. They make it however they see fit, not you.
Do you complain about everything you buy in life? The sandwich you bought at Subway? The car that is leaking whatever fluids? The toilet paper that rips? Your clothes that fade and wrinkle?
You aren't entitled anything "quality". You see a product and you buy it. You are entitled to a product you purchased, but quality? Hire a lawyer to argue what "quality" is and get back to us. Entitled: "a legal right or a just claim to receive or do something"
Try to ask for your money back, the world doesn't owe YOU your personal "perfection" in life.
Now this:
Quote
Do you know that most record pressing machines used today were made in the 1960's to 1980's? There hasn't been a new pressing machine made since the mid 1980's.
#24
Posted 20 June 2012 - 09:58 AM
#25
Posted 20 June 2012 - 10:11 AM
HypnoRaygun, on 20 June 2012 - 09:35 AM, said:
If you expect us to respect and accept your opinion on this, then you should damn well respect and accept the opinion of others.
#27
Posted 20 June 2012 - 10:48 AM
slunksoma, on 20 June 2012 - 03:28 AM, said:
The UK/European one is:
Number of Discs: 2
Format: Double LP
Label: Virgin/EMI Europe
ASIN: B00835UVY4
The US original is:
Vinyl (June 19, 2012)
Number of Discs: 1
Label: Martha's Music
ASIN: B007P6VLR8
Well, I'm pretty sure the US version is a double too. I mean, you just can't squash an hour of music onto one single disc, specially if it's considered 'better' than a EU two disc version. It would be much more distorted and congested than the european pressing. The ideal would be around 15 minutes per side. Also, there's a reason why Sundazed (and I think the new Columbia pressings too)cut their Dylan monos keeping the grooves far away from the center.
HypnoRaygun, on 20 June 2012 - 09:35 AM, said:
I don't know, man. Have you listened to The White Stripes 'Icky Thump' on vinyl? It was mastered by Steve Hoffman and Kevin Gray and sounds fantastic, just PERFECT.
It's not that we are saying that The Smashing Pumpkins owe us decent quality vinyl pressings, but it would be nice if they were treated with certain care. I really believe that records can sound far better than CDs, but when they are not properly made they can really suck and they are not really that cheap. I'm not buying a record for the big artwork, you know?
HypnoRaygun, on 20 June 2012 - 03:38 AM, said:
I did not buy it yet, so I'm not saying that it doesn't. There's a soundcloud link above were you can listen to Billy Corgan playing what sounds like a vinyl record and I don't hear any distortion towards the end of any side.
More opinions on the SQ of the vinyls would definitelly help us get to some sort of consensus about this matter.
#28
Posted 20 June 2012 - 12:18 PM
HypnoRaygun, on 20 June 2012 - 09:35 AM, said:
What do you do with it once you get it and don't like it? It IS listenable, it DOES sound fine, regardless of what others state. As of this posting, my mental state has not been compromised, I know what vinyl and music sounds like. You can listen to it..You can play it.
And FYI.. "Nothing's perfect" is not an excuse, it's a fact of life. If something is not 100% to everyone's standards(which will never happen), then it is not "perfect".. Hence, just about everything in life is not perfect. At the same time, it doesn't change what your opinion is. I like it is fine, you think it is crap. What are you going to do?
You are right. My intention is not to throw a fit in the hopes of getting someone to repress the album. It is at least a "listeneable" pressing. Your arguments about our tendency to feel and act entitled are valid. What it mostly comes down to for me is that if something is worth doing (and Oceania certainly is...), it's worth doing right. If someone does a half-assed job producing something you care about, I'd say it's worth at least it pointing out. Maybe if enough people voice their concerns, future Pumpkins releases will be produced to a higher standard. Saying nothing just because "nothing's perfect" might work for you, but not for me.
#29
Posted 20 June 2012 - 03:57 PM
#30
Posted 21 June 2012 - 04:06 AM
http://www.audiokarm...p/t-203384.html
ALSO, (I can't find it now) but I read somewhere a few months ago, but it was a mixer/masterer (masterer?!) who mentioned how track orders in the 60s/70s were determined by the fact that quieter songs needed to be put closer to the center of the vinyl or else it would get distorted. So if you take a look at the Zeppelin albums of old, you will notice how the end of a side generally had quieter songs. Take a look:
Zeppelin II:
Thank You (end of Side A)
Zeppelin IV:
Stairway to Heaven (end of Side A) + When the Levee Breaks (end of Side B)
Of course, it's not a perfect science, but that's what they were going for.
#31
Posted 21 June 2012 - 05:12 AM
Criticizing the quality of the pressing isn't criticizing the band, Billy of all people would want the pressing right so you could hear his album as intended!
#32
Posted 21 June 2012 - 05:18 AM
ALSO it is surprisingly possible to fit at least 59 mins on one vinyl. I have A tragic kindgom green translucent vinyl and they fit the whole album on one disc. But you're right Vergudo the quality isn't all that... the album is a lot quieter and doesn't sound like it's breathing properly.
To me I think NOWDAYS the proper time and procedures for vinyl making is not done very often this is why I still turn to digital sure it's not big in frequency ranges but you get a good quality bit rate and no problems with artifact noise. HOWEVER when vinyl is done right it's amazing - case in point the deftones reissues on vinyl.
#33
Posted 21 June 2012 - 08:16 AM
I did not share my opinion because I felt it was an attack on the band, but for other reasons which need not be taken further.
Billy tweeted a photograph and a comment about the test pressing of this album. And this is not a quote because I don't have it right now, but to me, it seemed like he was happy with the results. So if there is something incorrect about the vinyl, it may have to do with the process after the fact of the test pressing.
As all of you know, pressing vinyl is an art and a science and things can and do go wrong. There have been complaints with other pressings from other bands recently as well. Vinyl pressing equipment is old, please look into that if you disagree. My Morning Jacket, and Flaming Lips are two bands who have been plagued by errors in their vinyl. Many complaints and issues were brought up with their situations as well.
I have personally conducted extensive research into pressing equipment, the vinyl record process and all pressing plants in the United States and some of those in Europe. Many are conducting business with very old equipment and making it work the best that they can. I can't say this is the case for this vinyl, but I know it can be an issue. I know Jack White uses United Record Pressing in Nashville, TN Their site and he (or people he works with) is able to look after the quality of the vinyl right there in the town where his company is located. And may I add, perhaps Jack White is a bit more "into" vinyl and the process than Billy and the band has time to be..?
I would love to have the most pristine copy of this music on vinyl as well. If that is not the case we will have to figure out a way to enjoy it or figure out a solution. I personally feel my copy of the vinyl sounds very good and I'm happy with it. It is unfortunate that others are not having the same enjoyable experience.
I'm old and cranky and I mean no ill will towards anyone. I just think sometimes people expect too much out of things..
#34
Posted 21 June 2012 - 09:13 AM
HypnoRaygun, on 21 June 2012 - 08:16 AM, said:
The etching on the vinyl suggests that the band again went with A&R who were the same people that did the Teargarden Theme 7" which is definitely not the best sounding record I've heard in my life. And, well, Third Man is Jack's personal record label. He can do whatever he wants and press however many copies on tri-colored vinyl he wants. United is one of the more expensive and luxurious pressing companies still out there today. Being backed by EMI, I'm not so sure that Billy could go with the "best" pressing company.
Also, should I say, that Stan Getz is not the issue here. His vinyl mastering of Gish and Siamese Dream reissues sound amazing. I think this was just a bad press.
#35
Posted 21 June 2012 - 09:29 AM
Lunatic, on 21 June 2012 - 09:13 AM, said:
Also, should I say, that Stan Getz is not the issue here. His vinyl mastering of Gish and Siamese Dream reissues sound amazing.
That is who The Flaming Lips used, A&R. And there were complaints about warping and other issues. Even Wayne mentions in this video how there are issues! See here:
http://youtu.be/Ioq70dsUmqI
#36
Posted 21 June 2012 - 12:27 PM
#37
Posted 21 June 2012 - 12:27 PM
#38
Posted 21 June 2012 - 11:37 PM
Lunatic, on 21 June 2012 - 09:13 AM, said:
Also, should I say, that Stan Getz is not the issue here. His vinyl mastering of Gish and Siamese Dream reissues sound amazing. I think this was just a bad press.
the gish and siamese dream reissue were also pressed by A&R.
#40
Posted 22 June 2012 - 09:02 AM
#42
Posted 22 June 2012 - 02:40 PM
#43
Posted 22 June 2012 - 04:33 PM
PumpkinsRockOn, on 22 June 2012 - 09:02 AM, said:
I think you're right, any copy of the record will likely sound the same on your turntable. You can try this Stevenson alignment protractor to adjust your cartridge. It sets the null point closer to the label to help compensate for this kind of distortion. I think it helped a little on mine.
#44
Posted 22 June 2012 - 04:56 PM
HypnoRaygun, on 22 June 2012 - 02:40 PM, said:
That would be great. Is it side A that has four songs? If so, I guess Violet Rays would be the best choice. Then again, is your copy made in the US? Because lots of people seem to be getting bad copies and maybe accepting them instead of trying to replace them. If they actually see (hear) that there are copies that sound good even that close to the center, that would be very helpful.

Help





















