slow-poked and cross-eyed
pigeon-toed to the railroad ties
hump-backed and sugar shacked
shotgun wed to the poison of all that
a little longer, a little longer to go
we've a little longer, a little longer to go
i just can't help say so
can't you see me?
can't you see me at all?
inner spaced and pie-faced
you catch the moon i'll just stand here and run in place
shell-shocked and half-cocked
the universe is full of black holes and anniversary knots
a little longer to go
we've a little longer, a little longer to go
we've a little longer to go
can't you see me at all?
can't you see me?
can't you see me at all?
can't you see me?
can't you see me? can't you see me at all?
i'll lay roses at your feet till you decide there is something great in you
i'll lay roses at your feet till you decide there is something great in you
we've only just begin to grieve the space
we've only just begin to grieve the space
we've only just begin to grieve the space
We may have different ways to analyze lyrics. I’ll try to explain the sight I took.
The choice of this song was conditionned by the time it arrived in my life. I heard it during a relationship and the song fit with I felt in this time, it was corresponding so we can talk of synchronicity. An overall connection of the music with the Music.
With this song (and with all the songs and others piece of arts) we are in relationship with the artist. If we would start with Billy, do we want to know him better? Do we have this possibility?
What was the intent of this song? Billy said himself it had the new Smashing Pumpkins in mind composing it (directly at the crowd). But he also said a lot of times, he is inspired for songs as if they come inside him and as if he is only an intermediary. In the middle. The voice of God (south america’s interview). In Guitar World interview (april 2000) he said: “As a writer, I think it’s important to just open up the water tap and let the stuff come out. And if it’s right, it should have balance- the ying and the yang, the light and dark, or whatever balancing analogy you want to use”
Psychologically speaking, I believe we may know someone by his writings, no matter if it is consciously about himself or not. I know there have technics about that even if it isn’t my speciality. So I speak without speciality just with heart.

What is very moving in this song for me, that is the different rythmns. It is introducing the time in it, the varied expression of one emotion. Billy spoke of the band’s relationship. We could associate it with different relationships. Say fan relationship. A band doesn’t exist without audience. “We are just fan” is a wrong statement in my perception. If we say that being fan we don’t have a special relationship with the band we are reducing all the potential we may have in relationship. For the band and for each one of us.
“Can’t you see me at all?” It is this distance between him and us. Is he able to be himself with us? Are we able to be ourself with him? Are we, all of us, able to accept who we are for eachother?
Definitally, this song has a personal meaning for Billy. But like it is personal, I’m not very inclined to seek it if he doesn’t bring his point of view. That I’m interested to bring it is something larger. Each song has different layers of meanings, particularly Billy’s songs. The words, the expressions add to the understanding. Like I don’t understand all the particular english expressions (I missed a lot of those) I try to let the song melt in me, melt with the emotions that it brings.
This one brings the desire to find our architecture as relationship. Billy is 40, curious about varied subjects, of avant-garde in many ones. The best artists are those. If artists are the leading edge of our world, those introducing the new ways, showing the new roads, I guess that our community as a role also in that. In the past, the fan/artist relationship was one of idolatry. Of an integral point of view, the creation is something shared between artist and his environment. Though we have to trust eachother and to be willing to engage ourself in this way.
Something in this Guitar World interview troubled me cause he expressed in it the need of protection from the audience. For an artist and a human being engaged on the integral road, it doesn’t appear to be the best road it seems.
In an interview with Ken Wilber
http://in.integralinstitute.org go to Free Previews go to Billy Corgan Leading Edge Consciousness
Billy talked of the changing in his relationship with the audience and he seems worry about the way fans look at him, the projection thing.
“Can’t you see me at all” seems to fit very well with that.
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